“The World is My Studio”
In this video series, Philip Pearlstein invites you to travel with him throughout the world, into the locations that inspired him to create landscapes, and how these places influenced his work.
Part I, The Early Days — Army Training, and Travels
Part II: “Family Trips and Historical Sites”
Part III: “Far West, Near and South East”
Part IV: “Through Japan to Lecture on ‘American Realism and Figurative Art: 1952 – 1990’ at Five Museums Organized by John Arthur, 1991 (Part One)”
Part V: “Through Japan to Lecture on ‘American Realism and Figurative Art: 1952 – 1990’ at Five Museums Organized by John Arthur, 1991 (Part Two)”
Part VI: “Through Japan to Lecture on ‘American Realism and Figurative Art: 1952 – 1990’ at Five Museums Organized by John Arthur, 1991 (Part Three)”
Painter / Painted: Philip Pearlstein & Desirée Alvarez
Part of the New York Studio School’s Spring 2012 Lecture Series.
Recorded on February 22, 2012 | 01:44:37
Internationally recognized artist Philip Pearlstein in conversation with his model of 12 years, Desirée Alvarez, award winning poet, sculptor and painter. The dialogue explores the nature of Pearlstein’s work process and his intimate relationship to perception. Ms. Alvarez is the recipient of three Fellowship Awards from the New York Foundation for the Arts, the European Capital of Culture Award, and the American Academy Willard L. Metcalf Award.
Just the facts: Contemporary Perceptual Realist Painting
A lecture with Philip Pearlstein
Recorded on June 28 2014
Influential American painter, Philip Pearlstein shares his adventures, mishaps, and the many fascinating anecdotes that highlight his more than 60 year career, from his early abstract expressionist landscape paintings to his paintings of static nudes with bewildering perfection. An American master and realist painter, Pearlstein is renown for the steady strength of his work such that many critics say he is doing the best painting of his life today. Since the 1960s, Pearlstein’s paintings of nudes in a room, have engaged viewers as nothing simple or conventional. As critic Robert Hughes comments when speaking of Pearlstein, “Realism, we learn once more, is neither a simple nor an easy matter.” When Pearlstein first began with the figure, he “just wanted to map what was there…to use the model to map composition.” Pearlstein’s mature paintings reveal increasing complexity. The nudes are just enough bigger, the angles and framing subtly intentional to convey something highly charged, a feeling of power. Pearlstein’s work is in over seventy museums collections in the United States, including the National Gallery in Washington, Art Institute of Chicago, the Corcoran Gallery of Art, Metropolitan Museum of art, the MOMA and the Whitney, among others.